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All this parade and ceremony was, in this case, as it often is, not an _expression_ of real cordiality, good will, and good faith, but a substitute for them. The English commander, who had been specially instructed to bring over the money as well as the bride, found, to his great astonishment and perplexity, that the queen regent had spent a considerable portion of the money which had been put away so safely in the bags, and she wished to pay now a part of the dowry in merchandise, at such prices as she thought reasonable, and to have a year's credit for the remainder. There was thus thrown upon Lord Sandwich the very heavy responsibility of deciding whether to give up the object of his expedition, and go back to England without the bride, or to take her without the money. After very anxious hesitation and suspense, he decided to proceed with his enterprise, and the preparations were made for the princess's embarkation.

A piece of music, again, without any words at all, or a song with words that have nothing in the world to do with the ideas which it is nevertheless made to convey, is often very effectual language. Much lying, and all irony depends on tampering with covenanted symbols, and making those that are usually associated with one set of ideas convey by a sleight of mind others of a different nature. That is why irony is intolerably fatiguing unless very sparingly used. Take the song which Blondel sang under the window of King Richard's prison. There was not one syllable in it to say that Blondel was there, and was going to help the king to get out of prison. It was about some silly love affair, but it was a letter all the same, and the king made language of what would otherwise have been no language, by guessing the meaning, that is to say by perceiving that he was expected to enter then and there into a new covenant as to the meaning of the symbols that were presented to him, understanding what this covenant was to be, and acquiescing in it.


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